Lunchtime Treats

A Tuesday afternoon is usually an odd time for a concert, isn’t it? The answer is yes, but that doesn’t mean it’s a bad time. The Glenn Gould School’s New Music Ensemble certainly provided worthwhile listening this afternoon, when they tackled three contemporary works from American and Canadian composers.

Brian Current led the ensemble through a work by Montreal-based composer John Rea titled Accident, Tombeau de Grisey (2004), while composer Scott Good conducted his own piece, a work titled Three Movement for Chamber Orchestra (2013) which was a mish-mash of different styles. American Martin Bresnick also had a work on the program. The poignant My Twentieth Century (2002) for six players, and incorporating a bit of acting and narration.

My favourite work of the afternoon belong to Bresnick. A very passionate piece, written in the aftermath of the September 11th attacks, the work at first made me lower my guard with its pleasant tonalities and catchy rhythms, reminiscent of Reich, mixed with Glass, and tossed around in a bowl of something else thoroughly American in style. Each of the musicians in turn, as the piece was being played, would come up to a pair of microphones in front of the audience, and recite a line of poetry about an event that occurred. Each line ended with “….in the twentieth century”. A very passionate piece that had more depth than one would be able to hear in one listening, this is a piece I would very much like to hear again.

Scott Good’s piece Three Movement for Orchestra was also very charming in its own way. Each movement had a completely different feeling from the last, and so the movements didn’t blend together as seamlessly as one would think (or in my case like), but the result was still impressive. The first movement was a dense, almost aleatoric trip through dense sounds and clusters of notes. The second was a very Steve Reich-esque (the composer admitted that Reich was his influence with this movement) straight line, driving towards a final point. The third movement had a rich, lush, almost Neo-Romantic sound that took influences from Indian raga.

Rea’s piece Accident…. was good, however I felt that it was too long, dragging in the middle, and the final minutes of the piece just didn’t have the payoff I felt was necessary fort sitting through a piece of this length or style. From a technical standpoint, it was very well done. It contained fantastic uses of the instruments, and the piano and percussion acted as shading to the already present picture. Too often, composers feel obliged to overuse these two sets of instruments. Their use in and of itself is not a bad thing, but having them dominate a 13-instrument ensemble seems like a waste sometimes.

Here I must make a quick note: I really enjoyed the venue and casual atmosphere of this concert. A lunchtime concert in the Four Seasons Centre, where one could watch the concert, but also glance out and see the traffic, people, and everything else that goes on on University Ave. really made the experience for me. I wish more concerts could be like this. Maybe I’ll have to write another article on this issue.

I enjoyed the concert quite a bit. I advise you to go to another noontime concert at the COC or see the GGS New Music Ensemble in concert. They’re well worth it.

– Paolo Griffin

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